Production Design

JEFFERSON- AN AMERICAN ILLUSION

LINCOLN-DIVIDED WE STAND

In January 2020 I began my job as Production Designer alongside co-designer Beau Kegler and a incredible team of co-workers. With such a small department for such a big show, this dream team group, consisting of a graphic designer, carpenter and prop assistant recreated interiors and exteriors, documents, and props to span the entire span of Abraham Lincoln’s life and early death.

By the time we wrapped the first block of shooting the world had changed forever. After many delays while we tried to figure out how to safely work and shoot during a pandemic we returned to work in July 2020, concluding our work on this Emmy award winning series.

I couldn't be more proud of what we accomplished on this series despite all the obstacles.

 

POPE- THE MOST POWERFUL MAN IN HISTORY

POPE-production-page-2018.jpg

In the summer of 2017 I was hired along with fellow art director Beau Kegler by Glass Entertainment Group to head the art department for the CNN documentary series Pope: The Most Powerful Man In history, thus beginning the largest project I had worked on in my career.

Along with an amazing team of set dressers, graphic designers and carpenters our art department researched, built, designed, modified and collected props to span the 2000-plus year history that the series covered in its five episodes.

We created everything from chopping blocks, Roman marketplaces, a retro-fitted horse drawn wagon, and WWII-era European streets to recreating Pope John Paul II’s office. Mixed with shooting Pennsylvania locations for other countries with ancient architecture, every scene proved to be its own challenge.

The miniseries first aired in spring of 2018 and I couldn’t be more proud of the work my team pulled off over the course of two months.

I am proud to say that our production design was nominated for Outstanding Scenic Design at the 2019 News and Documentary Emmy Awards.